Art Dance Mashup Project: Make Art With Dance

West Coast Swing dancers dancing in paint

Art / dance mashup installation

West coast swing dancers captured residual art from elements of connection and movement through improvisational lead/follow connection, common ground on June 23, 2018 during 48 Blocks.

Two 40″x96″ latex and acrylic on wood paintings
Continue reading “Art Dance Mashup Project: Make Art With Dance”

Visual Art Spotlight at Gateway Playhouse

Jodee Clifford with Connection paintings at Gateway Playhouse
Photo by Jeffrey Schwartz

In October, the Gateway Playhouse in Somers Point, New Jersey further expanded their support of the arts to include featuring the work of a new local visual artist each month. The artwork can be viewed prior to the shows and during intermission and is available for purchase.

I had the opportunity to be the first  artist to show my artwork at the Gateway Playhouse. My connection paintings displayed through the month of October 2017. It’s really exciting to experience the overlap of artists supporting artists. Continue reading “Visual Art Spotlight at Gateway Playhouse”

Artist Statement

Jodee Clifford, 2004, Oil Painting: Green Sweater, Mixed Media

Exploring relationships through human form, body language, and connection.

Connection

Connection is my most recent body of work painting dancers. Started in 2016, it’s a series of oil paintings, watercolor paintings, drawings, and ink drawings exploring human connection with body language, touch, and gesture; communicating and connecting without words through improvisational lead and follow social dancers. As a dancer and former media employee, this body of work is a reflection of communication in contrast to verbal or written language with undertones of honesty, transparency, and authenticity.

Relationship

Everything in this world relates. Across all my projects, I’m fascinated with relationship, connection, language, instincts and intuition. 

Figures on Clothes

Figures on Clothes was my first series of paintings starting c. 2003. To me, they’re about the relationship between clothing and nudity using the human form explored between subject matter and material. I painted nude female figures directly onto the surface of stretched and prepared clothing as I would on primed canvas.

First Impressions

In 2018, I started doing these oil paintings called “First Impressions”. They’re paintings from croquis flushed out in oil paint much the way we fill in unknown  character traits based after meeting someone.


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